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Mathematics of color with practice

For many, this is magic, but in fact, this is the usual color mathematics, which I will discuss in more detail in the course. Without it, make-up is meaningless, and the master is blind.

This is my author's program. I created it for a very long time, considering my experience in make-up, for more than 22 years. And with this course I have been going the 10th year. And every time, teaching it, I discover for myself all the new aspects, the edges of color! After all, the color is unlimited, multifaceted and deep in so many that it is difficult to even imagine. And I still change, correct and improve the program. And so, I present a completely new approach to learning with a modernized program. 5-day course with practice! Many people think that this is a course about a combination of colors, about color selection, given the color-type. But this is not quite true), more precisely, it is much thinner, scrupulous and meticulous. Why exactly "Mathematics of Color"? Not a theory of color, not color science, no color, no course in color. It is mathematics. Exact science. Formulas. Complex subtraction, measurement, isolation, division, highlighting the hue from the general formula. We are really on the course to solve complex problems and examples, the percentage of colors available in one shade. What for so to assort color on components? Then, to understand why it is dirty. Due to what? Gray? Or the opposite, or both, and that? To understand what is better and easier to blend, connect. Or how to remove this resulting dirt. After all, before removing the problem, it is necessary to thoroughly study it, decompose it into components, extract the "parasite" and assemble it back))) Mathematics begins even before toning. Well, neutralization, this is my own separate and most important topic! Always for her! So as not to overload, but work in a more transparent layer. To make a miracle happen and disappear the visible, obvious problem color. It is necessary to accurately diagnose the color and find out its exact place, position in the color circle. It is the percentage ratio in one direction or the other. What for? To take the neutral, take the opposite. Neither almost, but for sure. Just take into account the basic skin tone, which we are trying to approach when neutralizing. And most importantly, this level. Level of chiaroscuro. And the corrector should be neither lighter nor darker. Otherwise, the problem will not go away, but will change the color and remain visible. But as much as possible in the thinnest layer, so as not to emphasize the structure of the skin. And it's very exciting! How to solve the crossword. Keys to pick up and beauty safe open. Collect from color correctors, smooth, solid, the same tone. Every time, this is a small miracle. When you create a picture from mini pieces, how to collect the puzzle. I even have such a principle of toning, when without the usual tone at all! It will be in practice on the second day. After all, you can remove any color, absolutely, even an explicit flowering finale or tattoo. But, color mathematics is not only in neutralization. There are ways of combining complementary colors. It seems that everyone knows the principles. Through the white, through the black, through the gray, through the brown and through the color circle through the related and primary. But, there is complexity in every principle. For example, through black. Not all colors are beautiful in it. To understand what and how, you need to understand each of the principles. It will be in theory on the third day, in practice on the 4th day.

There are still many aspects to this topic. Identification of the individual color code of a person. Identification, isolation of its main pigments. Finding exactly the color of the hair. And it just seems easy. No, many do not even see how much greenery is in the blond and even in red hair. Although, it's so obvious, J without a green ginger would not be so complicated, but would be just bright orange. Also, the cold is often confused with muffledness. That is, it is determined as a cold color-type because of the grayness. But with the gray can be warm and then a completely different palette turns out. This is the theme of the 5th day.

In general, it is difficult to talk about color in the language of letters. Even numbers would be easier for me) and even easier to show in practice. It is impossible to describe what is best to see. Therefore, I created a new course !!! How the color changes, how the form is created by color, the illusion of volume due to not only chiaroscuro, but because of heat-coldness, brightness-muffledness. How to get a color perspective. It's fascinating to draw volume with color. After all, the lighter the color, the closer. Everyone knows this, but also the warmer, the purer and brighter, the fresher, the closer and more voluminous, but at the peak, at the point of concentration of the volume, there is again a sharp cold because of the white color. It's just observation and analysis, which I do all my life and every minute. With color, you can associate everything. Taste, smell, temperature, time, age, music, notes, psychological state, character.

And so briefly about the new course:

 

1 day. Theory. Basic laws of color. All sorts of color tables. The formulas for obtaining shades, the percentage of color in them. Different ways of decomposing color into components. Connection of shades and straight colors. The breakdown of myths and standards about the color wheel and color in general. Rules and use of neutralization in makeup. Point diagnosis and work with various pigments and skin problems. The maximum detailed study of the aspect of neutralization and point correction. Work with the color wheel. Theory and practical exercises. Working with color cards and cards.

2 day. Practice. Impressions on models. The subtlest nude, this is the main and most popular topic for today in make-up and in the photo industry! Spot neutralization of all sorts of color problems on the face. Toning without a tone is absolute. Skinjacker. 2 different variants of nude make-up.

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3 day. Theory. Different types of transitions and stretch marks from one color to another. Different principles, certain rules for combinations of different colors and their shades. Light and color, their interaction. Different color properties. Color perspective. Color, as a base and as a substrate, for the imposition of other shades. Interactions of color layers. Changes in color from adding to it other different shades. Interaction and incompatibility. The main part of the day, working with cards. Various practical tasks and their implementation. Drawing on paper color transitions and possible sketches for color, complex make-up. Homework at night for students.

4 day. Practice. 2 impressions. Very bright, bold, unusual, large-scale, complex in appearance, but more simple in execution. Volumetric, complex feathering, visible from a great distance. Smooth color transition. A game with color and its capabilities. Cleanliness of the machine. Consolidation and confirmation in practice of the passed material. Check the homework.

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5 day. Theory and practice. Identifying the color code, each individual. The choice of a color palette individually to everyone. Distinctive features, key, basic colors, characteristic for each color. Determination and selection of an optimal, individual color palette, harmonious for each person and palette for each color type. Different types of testing to determine the color. Determination of color temperature. The difference in color properties and work with them. Identify the contrast level. Identify your personal color code. Theory and practical exercises. Working with color cards and cards. Selection of an individual palette based on the example of students. How to use and apply, not suitable colors that do not match the color code.

Show on the model. Salon make-up, the most suitable for the customer in terms of color nuances and considering all its features of individual forms and relationships in the face. The most accurate hit in the tone of the client's skin, with the finest and weightless tinting. Creation of a semi-transparent, almost unseen correction in the modeling and sculpting of the face, using color perspective rules and various texture variants. By the way, the color of the hair in the make-up is very important! To determine the level of contrast, for a competent choice of color shadows and correction, selection of a shade for the eyebrows and even modeling the shape of the face. Hair gives a pod to the shadows and hollows, which we must imitate or change their direction on the face. It is necessary to fit all this in halftones and color nuances for the most natural appearance. To do this, I try to identify the "color code" of a person to use just his shades of skin, hair, etc. Eternal classic in a new modern reading. Very simple, but clean and smooth. Use of modern materials that simplify the makeup process. Solemn, expressive, but simple running variants. Competent accentuation.

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And that for five days of the course: the maximally detailed theory, backed by practice, shows with excavations of all the topics covered. Consistently, without overloading information. Passed, looked, worked, fixed, went on.

2 nudes, 2 bright colored, 1 classic natural commercial, 5 most popular and various make-up with working off.

I hope for your choice, this is the expanded course.

Ludmila Tarakanova

ludovik.t@mail.ru

8(903) 111-57-10

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