14-15 of December,"Commercial course intensive", Novorosiysk

  • Pro intensive

    Pro intensive 

    Advanced training course for working professionals.

    To expand the portfolio of the wizard and improve the quality of content. To dilute the gray everyday life of commerce with bright colors.

    Very bright, bold, unusual, large-scale make-ups, complex in appearance, but simpler to perform. Volumetric, complex shading. Smooth color transitions. A game with color and its capabilities. Cleanliness of the shade. Using and combining various textures. A variety of all kinds of substrates in one make-up. The construction of complex patterns and forms in makeup.

    The course lasts 2 days. Theory, long shows, break, working out, obtaining certificates.

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  • Skin by Ludovik

    SKIN BY LUDOVIK

    Exclusive, unique course. We can safely say that this is a brand! This is not magic, not cheating, not Photoshop and not retouching, but competent work with color and various textures, "Color Mathematics" in action.

    1 day. Theoretical part 5 hours. Breaking down myths and standards about the color wheel and color in general. Rules and the use of neutralization in makeup. Spot diagnostics and work with various pigments and skin problems. The most detailed study of the aspect of neutralization and point correction. Work with the color wheel. Theory and practical exercises.

    Break.

     Impression creating a perfectly smooth, but at the same time, as natural coating as possible. selection and receipt of an individual shade, absolutely invisible, ideal for everyone personally. Point neutralization and the finest correction of all skin imperfections. As detailed and close as possible, all the stages of creating not complicated makeup. From various color and tint primer bases to colored mineral powder, topcoats. Neutralization at every stage of makeup.

    Practice under the strict guidance and with the provision of cosmetics.

     2 day

     theory. 1 hour. Analysis and discussion of yesterday's workings.

     2 breaks

    Personal best practices, exclusive chips, unexpected applications, non-standard approach to the tinting phase. A variety of variations on the topic of neutralization. Creating a perfect even coverage, absolutely no tone! Various types of nude coating from wet gloss to dry shine.

    Testing, issuing certificates.

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  • Mathematics of color

    1 day. Theory.

    The basic laws of color. Various color tables. Formulas for obtaining shades, the percentage of color in them. Different ways of decomposing colors into components. A mix of shades and straight colors. Breaking myths and standards about the color wheel and color in general. Rules and use of neutralization in make-up. Spot diagnosis and work with various pigments and skin problems. The most detailed study of the aspect of neutralization and point correction. Work with the color wheel. Theory and practical exercises. Working off with color cards .

    2 day. Theory.

    Different types of transitions and stretch marks from one color to another. Different principles, certain rules of combinations of different colors and their shades. Light and color, their interaction. Various color properties. Color perspective. Color, as a basis and as a substrate, for imposing of other shades. The interaction of layers of color. Color changes by adding different shades to it. Interaction and incompatibility. The main part of the day, work with cards. Various practical tasks and their implementation.

    Defining a personal color code. Selection of a color palette individually for everyone. Distinctive features, key, primary colors, characteristic for each color type. Definition and selection of an optimal, individual color palette, harmonious for each person and a palette for each color type. Different types of testing to determine the color type. Determination of color temperature. The difference in the properties of color and work with them. Identify the level of contrast. Theory and practical exercises. Working off with color cards and cards. Selection of an individual palette on the example of students. How to use and apply inappropriate colors that do not match the color code.

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  • Mathematics of color with practice

    Mathematics of color with practice

    For many, this is magic, but in fact, this is the usual color mathematics, which I will discuss in more detail in the course. Without it, make-up is meaningless, and the master is blind.

    This is my author's program. I created it for a very long time, considering my experience in make-up, for more than 22 years. And with this course I have been going the 10th year. And every time, teaching it, I discover for myself all the new aspects, the edges of color! After all, the color is unlimited, multifaceted and deep in so many that it is difficult to even imagine. And I still change, correct and improve the program. And so, I present a completely new approach to learning with a modernized program. 5-day course with practice! Many people think that this is a course about a combination of colors, about color selection, given the color-type. But this is not quite true), more precisely, it is much thinner, scrupulous and meticulous. Why exactly "Mathematics of Color"? Not a theory of color, not color science, no color, no course in color. It is mathematics. Exact science. Formulas. Complex subtraction, measurement, isolation, division, highlighting the hue from the general formula. We are really on the course to solve complex problems and examples, the percentage of colors available in one shade. What for so to assort color on components? Then, to understand why it is dirty. Due to what? Gray? Or the opposite, or both, and that? To understand what is better and easier to blend, connect. Or how to remove this resulting dirt. After all, before removing the problem, it is necessary to thoroughly study it, decompose it into components, extract the "parasite" and assemble it back))) Mathematics begins even before toning. Well, neutralization, this is my own separate and most important topic! Always for her! So as not to overload, but work in a more transparent layer. To make a miracle happen and disappear the visible, obvious problem color. It is necessary to accurately diagnose the color and find out its exact place, position in the color circle. It is the percentage ratio in one direction or the other. What for? To take the neutral, take the opposite. Neither almost, but for sure. Just take into account the basic skin tone, which we are trying to approach when neutralizing. And most importantly, this level. Level of chiaroscuro. And the corrector should be neither lighter nor darker. Otherwise, the problem will not go away, but will change the color and remain visible. But as much as possible in the thinnest layer, so as not to emphasize the structure of the skin. And it's very exciting! How to solve the crossword. Keys to pick up and beauty safe open. Collect from color correctors, smooth, solid, the same tone. Every time, this is a small miracle. When you create a picture from mini pieces, how to collect the puzzle. I even have such a principle of toning, when without the usual tone at all! It will be in practice on the second day. After all, you can remove any color, absolutely, even an explicit flowering finale or tattoo. But, color mathematics is not only in neutralization. There are ways of combining complementary colors. It seems that everyone knows the principles. Through the white, through the black, through the gray, through the brown and through the color circle through the related and primary. But, there is complexity in every principle. For example, through black. Not all colors are beautiful in it. To understand what and how, you need to understand each of the principles. It will be in theory on the third day, in practice on the 4th day.

    There are still many aspects to this topic. Identification of the individual color code of a person. Identification, isolation of its main pigments. Finding exactly the color of the hair. And it just seems easy. No, many do not even see how much greenery is in the blond and even in red hair. Although, it's so obvious, J without a green ginger would not be so complicated, but would be just bright orange. Also, the cold is often confused with muffledness. That is, it is determined as a cold color-type because of the grayness. But with the gray can be warm and then a completely different palette turns out. This is the theme of the 5th day.

    In general, it is difficult to talk about color in the language of letters. Even numbers would be easier for me) and even easier to show in practice. It is impossible to describe what is best to see. Therefore, I created a new course !!! How the color changes, how the form is created by color, the illusion of volume due to not only chiaroscuro, but because of heat-coldness, brightness-muffledness. How to get a color perspective. It's fascinating to draw volume with color. After all, the lighter the color, the closer. Everyone knows this, but also the warmer, the purer and brighter, the fresher, the closer and more voluminous, but at the peak, at the point of concentration of the volume, there is again a sharp cold because of the white color. It's just observation and analysis, which I do all my life and every minute. With color, you can associate everything. Taste, smell, temperature, time, age, music, notes, psychological state, character.

    And so briefly about the new course:

     

    1 day. Theory. Basic laws of color. All sorts of color tables. The formulas for obtaining shades, the percentage of color in them. Different ways of decomposing color into components. Connection of shades and straight colors. The breakdown of myths and standards about the color wheel and color in general. Rules and use of neutralization in makeup. Point diagnosis and work with various pigments and skin problems. The maximum detailed study of the aspect of neutralization and point correction. Work with the color wheel. Theory and practical exercises. Working with color cards and cards.

    2 day. Practice. Impressions on models. The subtlest nude, this is the main and most popular topic for today in make-up and in the photo industry! Spot neutralization of all sorts of color problems on the face. Toning without a tone is absolute. Skinjacker. 2 different variants of nude make-up.

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    3 day. Theory. Different types of transitions and stretch marks from one color to another. Different principles, certain rules for combinations of different colors and their shades. Light and color, their interaction. Different color properties. Color perspective. Color, as a base and as a substrate, for the imposition of other shades. Interactions of color layers. Changes in color from adding to it other different shades. Interaction and incompatibility. The main part of the day, working with cards. Various practical tasks and their implementation. Drawing on paper color transitions and possible sketches for color, complex make-up. Homework at night for students.

    4 day. Practice. 2 impressions. Very bright, bold, unusual, large-scale, complex in appearance, but more simple in execution. Volumetric, complex feathering, visible from a great distance. Smooth color transition. A game with color and its capabilities. Cleanliness of the machine. Consolidation and confirmation in practice of the passed material. Check the homework.

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    5 day. Theory and practice. Identifying the color code, each individual. The choice of a color palette individually to everyone. Distinctive features, key, basic colors, characteristic for each color. Determination and selection of an optimal, individual color palette, harmonious for each person and palette for each color type. Different types of testing to determine the color. Determination of color temperature. The difference in color properties and work with them. Identify the contrast level. Identify your personal color code. Theory and practical exercises. Working with color cards and cards. Selection of an individual palette based on the example of students. How to use and apply, not suitable colors that do not match the color code.

    Show on the model. Salon make-up, the most suitable for the customer in terms of color nuances and considering all its features of individual forms and relationships in the face. The most accurate hit in the tone of the client's skin, with the finest and weightless tinting. Creation of a semi-transparent, almost unseen correction in the modeling and sculpting of the face, using color perspective rules and various texture variants. By the way, the color of the hair in the make-up is very important! To determine the level of contrast, for a competent choice of color shadows and correction, selection of a shade for the eyebrows and even modeling the shape of the face. Hair gives a pod to the shadows and hollows, which we must imitate or change their direction on the face. It is necessary to fit all this in halftones and color nuances for the most natural appearance. To do this, I try to identify the "color code" of a person to use just his shades of skin, hair, etc. Eternal classic in a new modern reading. Very simple, but clean and smooth. Use of modern materials that simplify the makeup process. Solemn, expressive, but simple running variants. Competent accentuation.

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    And that for five days of the course: the maximally detailed theory, backed by practice, shows with excavations of all the topics covered. Consistently, without overloading information. Passed, looked, worked, fixed, went on.

    2 nudes, 2 bright colored, 1 classic natural commercial, 5 most popular and various make-up with working off.

    I hope for your choice, this is the expanded course.

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  • Art make-up

    Art make up.

    1 day

    Art course. Art make-up. Make-up for shows , performances, creative and art projects. etc. To promote and advertise your portfolio in social media and customers. For general development. Or for a splash of emotion. To awaken and receive inspiration. A course for those who are bored with ordinary commerce. Who wants new and vivid works. Absolutely non-invasive makeup. The most unusual creative ideas. Very bright, bold, unusual, large-scale, complex in appearance, but more simple in execution. Scale feathers, visible from a great distance, but clean in the vicinity. Use of podium eyelashes, in several rows or in an unusual key. Different small and larger decor. Unexpected decor ideas. Non-standard materials for obtaining unusual textures and textures. New variants of graphics and built-in decorative elements in makeup.

    For day 1 show on one model, with a small or very large transformation.

    After the break, the time for working off.

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  • Photo make-up

    Photo make-up (the most interesting and intensive course !!!)

    First day: only shows. Theory. Shooting. For a day from 4 to 10 looks or more. looks from nude makeup, but persistent throughout the entire shooting day. To all sorts of creative images. Competent creation of a firm foundation for the entire photo-day, given the variety of imaginary images. Analysis of the nuances of color and light and their interaction in the photo. Change the color in the photo, taking into account the constant or pulsed light. The behavior of various textures in photoshoots. Develop an understanding of how it looks now and how it will be in the photo.

    The second day is a day of work. Students have an evening of night, to create moodboard. Selection of accessories for the image.
    In the process of working out, Lyudmila's active help and her team in the creation of works. Shooting models and work in team,use reference and moodboard.

    Course Description

    Complete creativity. Creativity without borders.
    Help in the disclosure of inner hidden, talents and opportunities in the field of make-up. Ability to see the complex and unusual, simple and banal. With what to begin. How images are born. Searching for inspiration. Creativity of ideas and creation of new interesting original works. General stylistics of shooting.
    The image is more important than makeup! Image integrity.
    The idea is more important than the image! Thinking over the final result, starting from the desired frame. The way from the opposite. From the idea - to the beginning of the creation of the image. The right choice of model for creative photo shoots. Competent construction of the transition and interaction of images from one to another. Transformations and metamorphoses of images on one model to 5-10 variants! Do not flush the previous ones. The use of various unexpected, familiar things as all sorts of decor. Interaction in a team with a photographer, model, hairdresser, stylist. A joint way to the general idea of ​​the final frame. Importance of the team as a single organism.
    The idea is more important than the image! Thinking over the final result, starting from the desired frame. The way from the opposite. From the idea - to the beginning of the creation of the image. The right choice of model for creative photo shoots. Competent construction of the transition and interaction of images from one to another. Transformations and metamorphoses of images on one model to 5-10 variants! Do not flush the previous ones. The use of various unexpected, familiar things as all sorts of decor. Interaction in a team with a photographer, model, hairdresser, stylist. A joint way to the general idea of ​​the final frame. Importance of the team as a single organism.

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  • Commercial make-up

    New format of the course.

    Two-day course with theory and practice.

    1 day. theoretical part.2-2.5 hours. Acquaintance with the group. Free communication. The format of the interview. Question answer. On interesting and burning topics. Topics related to problems often encountered in the work. Difficulties in constructing makeup forms. Features of working with problem skin. A small course on materials science, necessary cosmetic products, novelties, the right choice and competent formation of the case. Studying the proportions and details of the client's face, in order to correctly place emphasis, on the right. The definition for each personal level of contrast is both external and internal, taking into account the psychology of communication and monitoring the behavior of the client. And much more. Themes are chosen by the group itself. And each time the theory will be different, given the wishes, it is gathered here and now. Individual approach to each city, students can also prepare a list of questions for discussion in advance.

    Break.

    1 Show.

     Commercial makeup competently. Competent commerce. Elegant. Exquisite ... Identification of the customer's individual color code, for creating a special, and maximally natural (native) make-up.
    Salon make-up, the most suitable for the customer in terms of color nuances and considering all its features of individual forms and relationships in the face. Author's secrets of working with the skin. Spot neutralization of all sorts of color problems on the face. The most accurate hit in the tone of the client's skin, with the finest and weightless tinting. Creation of a semi-transparent, almost unseen correction in the modeling and sculpting of the face, using color perspective rules and various texture variants. The most popular makeup in the style of "nude".

    2 show.

     Transformation on the first model. Eternal classics in a new modern reading. Very simple, but clean and smooth. Use of modern materials that simplify the makeup process. Solemn, expressive, but simple running variants of a fig. Competent accentuation.

    3 show.

     Actual modern graphics in make-up. Fashionable hands! Construction and drawing, taking into account the peculiarities of the structure of the eye. Use of false eyelashes in commercial make-up. Ability to glue qualitatively bundle and integral tape eyelashes. Different options for lip make-up, given the wishes of the group.

    2 day. Working out all make-ups or any to choose from. Slowly and without haste. Under the strict guidance.

    The course can be sold to students separately to choose from. Only theory and shows are the first day. Or two days with working off. On the first day, the number of listeners is not limited and can be held in another large hall. On day 2, there is a maximum of 12 people. and you can in a mini studio with workplaces. Or this is one room for two days. Or different given the large demand and rent of the hall.

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Ludmila Tarakanova

ludovik.t@mail.ru

8(903) 111-57-10

© 2015 All rights reserved

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